The Ballet Company Of Teatro Alla Scala, 2018

Tour Dates: 23th August - 17th September, 2018

The present day Ballet Company of Teatro alla Scala can boast a glorious past whose roots go back centuries to the 1778 inauguration of the world’s most celebrated musical theatre.

Tour Dates
  • 23th August - 17th September, 2018

 

THE BALLET COMPANY OF TEATRO ALLA SCALA

The present day Ballet Company of Teatro alla Scala can boast a glorious past whose roots go back centuries to the 1778 inauguration of the world’s most celebrated musical theatre. Illustrious choreographers, such as Jean-Georges Noverre, Gasparo Angiolini, Salvatore Viganò, were to exert great influence on dance in Europe, even before the founding in 1813 of the Imperial Dance Academy of La Scala. From here Carlo Blasis, the illustrious dancer, teacher and theorist brought Ballet into the romantic period, contributing to the technical innovation of its style.

From the free and expressionist dance of Middle-Europe of the thirties and forties, came, above all,  Aurel Milloss. Arturo Toscanini gave him the task of reuniting the lost threads of the Scala company after the Second World War.  For his repertoire, he not only chose great musicians, renowned set designers and painters, but also illustrious guests such as George Balanchine.
In the fifties and sixties, La Scala became a stage open to the best names of the then artistic panorama. Roland Petit made his début in 1963, Maurice Béjart in the seventies, and many guest stars were added like Rudolf Nureyev, beginning in 1965 a very close collaboration with the Milanese theatre.

Recent years have seen the La Scala Ballet expand its visibility at home and abroad, with debut performances at the Paris Opera, Moscow’s Bolshoi Theatre, the Mariinsky (Kirov) Theatre, and in the USA, Germany, Turkey, Brazil, Spain, Mexico and China, to name just a few. Thanks to the unfailing expressive, technical and interpretative appeal of La Scala’s étoiles Svetlana Zakharova, Roberto Bolle, Massimo Murru, guest artists, principals, newly appointed soloists, and the many Corps de Ballet members frequently selected for major roles, Makhar Vaziev’s direction resolutely embraces a set of precise artistic standards. The aim is to reinvigorate the twentieth century’s most refreshing and influential ballet repertoire as a “tradition of the new” in the ballet world, reviving the necessary classics, providing young choreographers with creative opportunities, and drawing celebrated musical directors to the ballet rostrum, both as an element of added appeal and also as an unmistakable sign of the musical excellence that befits La Scala, not only in its operatic performances but also in its dance productions.

Director of Teatroalla Scala Ballet Company:Makhar Vaziev

Makhar Vaziev was born in 1961 in Alagir, a North Ossetia town in the Caucasus Mountains situated on the Russian border with Georgia. His original name is Makharbeq, according to an ancient Ossetian indication of nobility. In 1973 he was admitted to the “Agrippina Vaganova” Academy in Saint Petersburg (class of Yury Umrikin), from which he graduated in 1981. In 1979 he started to dance for the Kirov Ballet, where he was officially hired in 1981 after graduating. He was promoted to soloist in 1986 and to principal dancer in 1989.

His repertoire includes more than twenty ballets, amongst which La Sylphide (James), Giselle (Albrecht), Le corsaire (Alì), La bayadère (Solor), Swan Lake (Siegfried), The Sleeping Beauty (Prince Désiré), The Nutcracker (Principe), Raymonda (Abderachman), Don Quixote (Basil), Chopiniana (Poet), Shéhérazade (Golden Slave), and Carmen (Don José).

Between April 1995 and March 2008 Mr Vaziev was the director of the Kirov Ballet of the Mariinsky Theatre in Saint Petersburg and toured to theatres including Covent Garden and the Coliseum Theatre (London), the Lincoln Center (New York), the Kennedy Center (Washington), the Teatro Colón (Buenos Aires), the Teatro Real (Madrid) and theatres in Tokyo and Hong Kong, as well as at the Bolshoi (Moscow) and various theatres in Italy. The International Ballet Festival of the Mariinsky Theatre saw the light in 2001, and has since then presented some the best dancers in the world. A new generation of dancers has also risen during Mr Vaziev’s tenure, such as Uliana Lopatkina and Igor Kolb.

Makhar Vaziev was nominated Honoured Artist of Russia in 2002 and was also awarded the “2002 Spirit of Dance” prize in the “Knight of Dance” category. In January 2009 he took the direction of Teatro alla Scala Ballet Company

Giselle

A tale of love, betrayal and redemption set amid joyous peasant celebrations and the pallid host of Wilis, as fascinating as they are ruthless: Giselle, the romantic ballet par excellence, continues to attract audiences with its contrast between a sunny world and a dark and terrible kingdom inhabited by spirits. La Scala’s Corps de Ballet will once again bring the unforgettable choreography of Coralli-Perrot to the stage in the revival by Yvette Chauviré, whose attention to and refinement of roles such as Giselle have exalted the classical tradition in all its purity and won her worldwide fame. Her version, which made its La Scala debut in 1950, starred herself in the role of the unfortunate country girl who dreamed of love and loved to dance.

Don Quixote

Brilliance, lustre, sparkling technique and interpretive verve are the primary characteristics of Rudolf Nureyev’s version of Don Quixote. The great dancer himself is not the first choreographer to have been enchanted by this masterpiece of world literature, written by Miguel de Cervantes Saavedra between 1598 and 1604: Don Quixote began to fascinate the dance world from the first half of the 18th Century. The list of choreographers to have used this story, and at times with great artistic liberty, is indeed long before we arrive at the addition of Nureyev’s version, created for the Vienna Opera Ballet in 1966. Nevertheless, precisely this particular version is considered to be one of the most loved by audiences world-wide: in which one can perceive the charm of the past and the vivacity of a story-telling of our present times.

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