There is perhaps no other musical ensemble more closely associated with the history and tradition of European classical music than the Vienna Philharmonic. In the course of the past 181 years, this orchestra has experienced and influenced the course of musical history around the world. Even to this day, prominent soloists and conductors refer to the unique “Viennese Sound” as the outstanding quality that sets it apart from other orchestras.

This success story had its origins in the desire to found a symphony orchestra dedicated to the ideal of performing at the highest level the symphonies of the Viennese classical composers, particularly Ludwig van Beethoven. This artistic goal could only be implemented through the enthusiastic affirmation of the musicians of the Vienna Court Opera Orchestra, who in 1842 made the decision to present "Philharmonic Concerts", independently of their duties at the opera theater and within a framework of complete artistic and entrepreneurial autonomy. This produced a structure based on democratic principles in which all aspects of the decision-making process rest in the hands of the musicians themselves.

One of the founding fathers was composer and conductor Otto Nicolai, to whom the maxim is attributed, "to perform the best repertoire, with the best personnel, in the best possible manner." The high quality standards implied in this statement, to which the orchestra remains obligated to this day, serves to explain the fascination that the orchestra has held from the beginning for prominent composers and conductors, as well as for audiences all over the world. The orchestra's conscious maintenance of a homogenous musical style, carefully bequeathed from one generation to the next, is an expression of its striving to uphold tradition in an innovative manner.

The inimitability of the orchestra's sound is also based on the singular relationship between the Vienna Philharmonic and the Vienna State Opera Orchestra. One of the orchestra's founding principles is that only a musician from the opera orchestra can become a member of the Vienna Philharmonic. The musicians are required to perform in both orchestras, and to this day, every future Philharmonic musician begins his or her career with an audition for the Vienna State Opera Orchestra and only after a three-year waiting period becomes eligible for full membership in the Vienna Philharmonic.

Another unique feature of this democratic structure is that the orchestra itself is solely responsible for the organization of concerts and the selection of repertoire, as well as the engaging of conductors and soloists. In 1860, the Subscription Concert Series was introduced, for which one conductor was engaged for an entire season. These concerts formed a solid artistic and economic basis that remains in place to this day. Beginning in 1933, the orchestra adapted a system of guest conductors, which promotes a wide spectrum of artistic encounters with the most prominent conductors of each generation.

Since 1870, the Golden Hall of the Musikverein in Vienna, with its unique aesthetic and acoustical characteristics, has proven to be the ideal venue for Vienna Philharmonic concerts. The orchestra's first foreign tour took place in 1900 with a concert tour to Paris under the baton of Gustav Mahler. Another memorable year was 1922, which saw not only the orchestra's first participation at the Salzburg Festival, but also the first overseas tour to South America. This marked the beginning of an active touring schedule which has taken the orchestra to all continents on the globe and in recent years has included regularly scheduled concerts in Germany, Japan, the USA and, in the future, China.

The Vienna Philharmonic has made it its mission to communicate the humanitarian message of music into the daily lives and consciousness of its listeners. From the beginning, the orchestra has displayed a strong social consciousness, characterized by a commitment to individuals in need and the fostering of young musicians. To this day, the orchestra performs numerous benefit concerts and develops initiatives for the disadvantaged and the victims of natural catastrophes. Since 1999, an annual donation from the proceeds from the New Year’s Concert has gone to diverse humanitarian organizations. In response to the Tsunami catastrophe in 2011, the Vienna Philharmonic and Suntory Music Aid Fund was founded.

In concerts in Vienna and around the world, the Vienna Philharmonic is much more than Austria's top cultural export. The musicians serve as messengers who in their performances express the ideals of peace, humanity and reconciliation, which are so deeply entwined with the message of music. This includes performing concerts in locations of historical significance as well as controversial and painful flashpoints in political history. These include such events as the memorial concert at the former concentration camp at Mauthausen in 2000 as well as the Concert in Sarajevo in 2014 in commemoration of the outbreak of World War I and the Concert for Peace in Versailles in 2018 in remembrance of the end of World War I.

Borne by the conviction that the upholding of the orchestra's musical legacy is not a matter of "worshipping the ashes" but rather "passing on the torch" (Gustav Mahler), the question of the relevance of music in today's society, as well as for future generations, is of central importance. This is also evident in the orchestra's work with young people. In Vienna as well as on tour, the Philharmonic opens its rehearsals for young listeners and is involved in educational projects to expose younger generations to the richness of music and encourage them in their own creativity.

In 2018 the Vienna Philharmonic Orchestra Academy was founded. The academy students will be selected in accordance with a strict, internationally oriented audition process and trained at the highest level during a two-year course of study. The 12 participants will learn not only instrumental perfection but also passion and enthusiasm through their interaction with the Vienna Philharmonic. The students will not only through private lessons learn the subtleties of the Viennese sound and style, but will also be trained in the audition process for not only the Vienna Philharmonic itself, but other orchestras as well. On September 1st, 2019 the first 12 academists started their studies in Vienna.

The orchestra has been the recipient of numerous prized and awards. Since 2008, it has been supported by its exclusive sponsor ROLEX.

The Vienna Philharmonic performs approximately 40 concerts in Vienna annually, among them the New Year’s Concert and the Summer Night Concert Schnbrunn, which are broadcast in numerous countries around the world. The orchestra also has an annual summer residency at the Salzburg Festival and performs more than 50 concerts a year on its international tours. All of these activities underscore the reputation of the Vienna Philharmonic as one of the world’s finest orchestras.

Andris Nelsons

Andris Nelsons is Music Director of the Boston Symphony Orchestra and Gewandhauskapellmeister of the Gewandhausorchester Leipzig. These two positions, in addition to his leadership of a pioneering alliance between both institutions, have firmly established Grammy Award-winning Nelsons as one of the most renowned and innovative conductors on the international scene today.

Nelsons’ positions in Boston and Leipzig commenced in the 2014/15 season and in February 2018, respectively. Autumn 2019 marked a ground-breaking highlight for Nelsons, the Boston Symphony Orchestra and the Gewandhausorchester Leipzig: three performances featuring musicians from both institutions within one joint orchestra were given at Boston’s Symphony Hall as part of the alliance between the two orchestras. Earlier this year, this unique partnership between both orchestras culminated in another highlight, a joint release of the major symphonic works by Richard Strauss for Deutsche Grammophon, including Strauss’ Festliches Präludium jointly performed by musicians from both orchestras. To mark the release, Nelsons and the Gewandhausorchester embarked on a major residency tour to London, Hamburg, Vienna and Paris to perform two all-Strauss programmes.

This season, Nelsons and the Boston Symphony Orchestra embark on a major tour to Japan, including three prestigious concert dates at Tokyo’s Suntory Hall. Furthermore, the BSO and Nelsons will continue their guest appearances at Carnegie Hall in April 2023 together with Anne-Sophie Mutter and Gautier Capuçon. Following their season opening tour together in September, a major highlight for Nelsons and the Gewandhausorchester Leipzig include their residency at the Salzburg Easter Festival in April 2023, where three symphonic programmes will be presented in addition to performances of Wagner’s Tannhäuser featuring Jonas Kaufmann in the title role. In May 2023, the Gewandhaus zu Leipzig present the Mahler Festival in Leipzig where Nelsons will conduct Symphonies No. 2 and 8. Elsewhere, Nelsons will continue collaborating with the Berliner Philharmoniker and Mitsuko Uchida this season, before returning to work with the Wiener Philharmoniker – with whom he conducted the prestigious New Year’s Day concert in 2020, broadcast to millions across the world – and will also embark on a European tour featuring Lang Lang and the Mahler Chamber Orchestra.

Andris Nelsons has an exclusive recording relationship with Deutsche Grammophon, which has paved the way for three landmark projects with the Boston Symphony Orchestra, the Gewandhausorchester Leipzig and the Wiener Philharmoniker. Nelsons and the Boston Symphony Orchestra partner on recordings of the complete Shostakovich symphonies and the opera Lady Macbeth of the Mtsensk District – this cycle is already the recipient of four Grammy awards in the categories Best Orchestral Performance and Best Engineered Album. Furthermore, Nelsons and the Gewandhausorchester Leipzig continue their critically acclaimed Bruckner symphonic cycle. Both cycles released their fifth instalments in 2021. Nelsons’ recordings of Beethoven’s complete symphonies with the Wiener Philharmoniker, in celebration of the composer’s 250th birthday, were released in October 2019.

Born in Riga in 1978 into a family of musicians, Andris Nelsons began his career as a trumpeter in the Latvian National Opera Orchestra whilst studying conducting. He was Music Director of the City of Birmingham Symphony Orchestra from 2008-2015, Principal Conductor of the Nordwestdeutsche Philharmonie in Herford, Germany 2006-2009 and Music Director of the Latvian National Opera 2003-2007.