Wiener Symphoniker, Austria, 2017

Tour Dates:  26th March - 10th April, 2017

As Vienna’s cultural ambassador and concert orchestra, the Wiener Symphoniker handles the lion’s share of symphonic activity...

Tour Dates
  • 26th March - 10th April, 2017

27 March, 2017, 20:00, Shenzhen Poly Theatre
30 March, 2017, 19:30, Shanghai Oriental Arts Centre
31 March 2017, 19:30, Shanghai Oriental Arts Centre
1 April 2017, 19:30, Shanghai Oriental Arts Centre
2 April 2017, 19:30, Shanghai Oriental Arts Centre
4 April 2017, 19:30, Nanjing Poly Theatre
6 April 2017, 19:30, National Centre for the Performing Arts
7 April 2017, 19:30, National Centre for the Performing Arts 

As Vienna’s cultural ambassador and concert orchestra, the Wiener Symphoniker handles the lion’s share of symphonic activity that makes up the musical life of the Austrian capital. The orchestra’s activities centre around innovative projects that are associated with the purposeful cultivation of important Viennese musical traditions.

In October 1900, the newly formed Wiener Concertverein, as it was called back then, gave its first public performance at the Vienna Musikverein with Ferdinand Löwe on the podium. The Wiener Symphoniker has premiered works that are now undisputed staples of the orchestral repertoire, including Anton Bruckner’s Ninth Symphony, Arnold Schönberg’s Gurre Lieder, Maurice Ravel’s Piano Concerto for the Left Hand, and Franz Schmidt’s The Book with Seven Seals. Over the course of its history, conducting greats like Bruno Walter, Richard Strauss, Wilhelm Furtwängler, Oswald Kabasta, George Szell and Hans Knappertsbusch have left an indelible mark on the orchestra. In later decades, Herbert von Karajan (1950 –1960) and Wolfgang Sawallisch (1960–1970) were the Chief Conductors who moulded the sound of the orchestra most significantly. After the brief return of Josef Krips, the position of Chief Conductor was filled by Carlo Maria Giulini and Gennadij Roshdestvensky. Georges Prêtre was Chief Conductor from 1986 to 1991. Rafael Frühbeck de Burgos, Vladimir Fedoseyev and Fabio Luisi then assumed leadership of the orchestra.

Leading lights who have enjoyed notable success as guests on the podium of the Wiener Symphoniker include Leonard Bernstein, Lorin Maazel, Zubin Mehta, Claudio Abbado and Sergiu Celibidache.

The Swiss conductor Philippe Jordan took up the position of Music Director at the beginning of the 2014–15 season, leading the Wiener Symphoniker into a new era. In the process, the orchestra focuses especially on seasonal involvement with major composers, contemporary music, collaboration with Artists in Residence, and spirited activity in music education.

The Wiener Symphoniker appears in more than 150 concerts and operatic performances per season, the vast majority of which take place in Vienna’s wellknown concert venues, the Musikverein and the Konzerthaus. Added to that is a very busy and extensive touring schedule. Since 1946, the Wiener Symphoniker has been the Orchestra in Residence at the Bregenz Festival, where it also plays the majority of operatic and symphonic performances. The orchestra took on a new challenge at the beginning of 2006: That’s when the Theater an der Wien became a functioning opera house again, and the orchestra has been responsible for a significant number of productions ever since.

Chief Conductor: Philippe Jordan

Currently Musical Director of the Opera National de Paris and Chief Conductor of the Wiener Symphoniker, Philippe Jordan has established himself as one of the most gifted and exciting conductors of his generation.

Philippe Jordan’s musical education began with piano lessons at the age of six. At the age of eight, he joined the Zurich Sängerknaben and he was eleven when he began studying violin. At sixteen, he entered the Zurich Conservatory where he obtained his diploma of piano teacher with honors. He studied theory and composition with the Swiss composer Hans Ulrich Lehmann and continued his piano studies with Karl Engel. At the same time, he worked as assistant to Maestro Jeffrey Tate on Wagner’s Ring Cycle at the Châtelet in Paris. He continues to appear occasionally as pianist in recital and chamber music.

His career began in 1994/95 as Kapellmeister of the Ulm Stadttheater. From 1998-2001, he was assistant to Daniel Barenboim at the Deutsche Staatsoper Unter den Linden in Berlin. From 2001-2004, he held the position of Chief Conductor of the Graz Opera and Graz Philharmonic Orchestra. In this period he made his debut at several prestigious international Opera houses and festivals, the Houston Grand Opera, the Glyndebourne Festival, the Aix-en-Provence Festival, the Metropolitan Opera New York, the Royal Opera House Covent Garden, the Teatro alla Scala, the Bayerische Staatsoper Munich, the Salzburger Festspiele (Cosi fan tutte), the Wiener Staatsoper, the Festspielhaus Baden-Baden (Tannhäuser), the Zurich Opera and the Bayreuth Festival (Parsifal). From 2006-2010, he was Principal Guest Conductor of the Berlin Staatsoper Unter den Linden.

Philippe Jordan’s orchestral engagements have included the Berlin Philharmonic, the Vienna Philharmonic, Berlin Staatskapelle, Vienna RSO, Orchestre Philharmonique de Radio France, Philharmonia Orchestra London, Accademia Nazionale di Santa Cecilia, Orchestre de la Suisse Romande, Tonhalle Zurich, Chamber Orchestra of Europe, Mahler Chamber Orchestra, Gustav Mahler Youth Orchestra, NDR/Hamburg Symphony, DSO Berlin, Mozarteum Orchestra Salzburg, Rotterdam Philharmonic Orchestra and the Münchner Philharmoniker. In North America, he has appeared with the Seattle, St. Louis, Dallas, Detroit, Chicago, Cleveland, Philadelphia, Washington, Minnesota, Montreal, New York and San Francisco Orchestras.

Highlights of the last season include Die Entführung aus dem Serail, Pelléas et Mélisande and Le Roi Arthus at the Paris Opera, Arabella in Munich with the Bayerische Staatsoper and concerts at the Teatro alla Scala and at Lucerne Festival as well as a Beethoven Cycle with the Opera National de Paris and an integral Schubert Cycle with the Wiener Symphoniker.

In the 2015-16 season he will conduct among others a full cycle of the Beethoven piano concertos (solist: Pierre-Laurent Aimard) with the Wiener Symphoniker and a new production of Moses and Aronat the Opera National de Paris.

Philippe Jordan has recorded Carmen (Glyndebourne Festival), Werther (Wiener Staatsoper), Doktor Faust (Zurich Opera) and Salomé (Covent Garden), Tannhäuser(Baden-Baden), Le Nozze di Figaro (Paris Opera) and Pelléas et Mélisande (Opéra de Paris), which received the “CHOC de l’année” prize for Classica in DVD format. He has also recorded for Naïve the complete Beethoven Piano concertos with François-Frédéric Guy and the Orchestre Philharmonique de Radio France as well as Strauss’ Alpensinfonie with the Opéra National de Paris Orchestra, which was awarded the “CHOC de l’année - Classica”. The Sacre du Printemps CD that he also recorded received the “CHOC” prize for the Musical World. Mr. Jordan recently released two albums, one with a recording of the Verdi Requiem, the other with symphonic excerpts from Wagner’s Ring. Both of these were performed with the orchestra of the Opéra National de Paris and were released through the label Erato. His last recording with the orchestra of the Opéra National de Paris, Ravel’s Daphnis and Chloe and La Valse was released in May 2015. With the Wiener Symphoniker he has so far recorded a CD of Tchaikovsky’s Pathétique symphony (released September 2014) followed by a recording of Schubert’s 7th and 8th Symphony that was released in August 2015.

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